The DJI Mavic 4 Cine is the cinema-grade variant of the Mavic 4 line — a 4/3-class triple-camera Mavic with internal ProRes recording, 16+ stops of dynamic range on the main sensor, and the polish that makes it a real second-camera option on professional shoots. It’s targeted at filmmakers, broadcasters, and ad-agency production teams that want Mavic-portability with Inspire-grade image quality.
Who the Mavic 4 Cine is for
The Mavic 4 Cine is for filmmakers shooting commercials, documentaries, and broadcast where ProRes and high dynamic range matter. If you’re delivering 1080p YouTube content, the standard Mavic 4 Pro is enough. If you’re cutting into a 4K HDR commercial, the Cine pays back.
What separates Cine from Mavic 4 Pro
The Cine adds: internal ProRes 422 HQ recording, the higher-grade sensor calibration, and the higher-end body finish. Optics, gimbal, and flight performance are similar; the value lives in the codec and the cleaner highlights.
Dynamic range that actually matters
The 4/3 main sensor delivers 16+ stops of dynamic range, which protects highlights in bright Jordan desert conditions and recovers shadow detail in night reception lighting. Combined with D-Log M, it grades into a broadcast-clean look with minimal noise.
ProRes — when it’s worth the storage cost
ProRes is worth it when post is doing heavy grading, when the deliverable is broadcast or premium streaming, or when you’re cutting against multi-camera ground footage. For social-only or web delivery, H.265 is enough and saves a third of your storage.
Flight performance and obstacle avoidance
Same all-direction obstacle sensing as Mavic 4 Pro. Range is up to 30 km via O5+; real-world range in mountainous Jordan is shorter due to terrain. Wind tolerance is solid for cinema work but watch for desert thermals in mid-summer.
Pricing and total cost of ownership
The Mavic 4 Cine is significantly more expensive than the Pro, plus higher SSD costs for ProRes storage. Most cinema rental houses now stock it. For occasional users, renting is cheaper than buying outright. Crew up-skilling on ProRes workflows is a one-off cost worth budgeting.
Mavic 4 Cine — spec summary
| Spec | Value |
|---|---|
| Main sensor | 4/3 CMOS |
| Dynamic range | 16+ stops |
| Internal recording | ProRes 422 HQ |
| Colour profile | D-Log M, 10-bit |
| Camera array | Triple (wide / medium / tele) |
| Transmission | O5+ up to 30 km |
| Obstacle sensing | All-direction |
Frequently Asked Questions
Is the Mavic 4 Cine worth it over the Mavic 4 Pro?
For pro filmmakers and broadcast/streaming productions, yes — ProRes and the higher-grade sensor calibration justify the upgrade. For social, real estate, and YouTube, the Pro is enough.
Can I record ProRes externally on the standard Mavic 4 Pro?
No — ProRes is internal-only and limited to the Cine. The Pro records in H.265.
How long does a ProRes flight last on storage?
ProRes 422 HQ at 4K/60 burns roughly 1.7 GB per minute, so a typical 1 TB SSD handles around 10 hours of footage. Plan multiple SSDs for a multi-camera production.
Does the Mavic 4 Cine fit in standard cinema rigs?
Yes — most cinema rental houses have integrated it into existing multi-camera workflows. Confirm gimbal cables and ND filter sets with your rental house before the shoot.
Can it shoot 8K?
Yes, the main sensor outputs up to 8K/30 on the Cine. For most broadcast work 4K/60 is the practical setting; 8K is reserved for premium streaming or heavy reframing.
Need a Drone in Jordan?
Need a Mavic 4 Cine for a Jordan production? Contact Loyalty Drones for advice on buying or for a CARC-permitted shoot. Related reading: aerial photography services in Jordan. drone vs helicopter aerial photography in Jordan.
